Five columns that these sheets keep repeating
Every sheet on this site is assembled from the same five axes: duration, aspect ratio, resolution, file and frame rate. Each is published by a different side of the match, each is stated in a different unit, and each settles a different part of a production plan. As of 2026-09-12.
The axes were not invented here. They are what survives when a surface's help page and a vendor's pricing page are laid side by side: both talk in seconds, one talks about shape, one talks about pixels, and only the surface says anything about the file itself.
Reading them one at a time is the whole point. A sheet that folds length and shape into a single verdict hides which of the two is actually blocking the campaign, and the two are cleared by different work — one by an edit, the other by re-staging a shot that was never framed for the crop it now has to survive.
Each page below says where its figures were read, what a cell in that column holds, and what it refuses to settle. The last of those matters more than it sounds: most of the arguments these sheets head off are arguments about what a number was supposed to mean.
1The axes side by side
| Axis | Published by the surface | Published by the generator |
|---|---|---|
| Duration | Hard ceilings and skip thresholds | Twelve of 15 rows, in seconds or minutes |
| Frame rate | Nothing, on either surface | Three of 15 rows, from 8 fps to 30 |
| Aspect ratio | Named shapes, sometimes with a pixel floor | Nine of 15 rows, rarely if priced |
| Resolution | A floor, where it is stated at all | Fourteen of 15 rows, mostly as tiers |
| File | Size cap, bitrate floor, container list | Nothing about output; two input ceilings |
Inclusion rule. The five columns that appear on more than one sheet in this register. A value that shows up on a single sheet is kept on that sheet rather than promoted to an axis. Order. The order a spec sheet is normally read in: time, then rate, then shape, size and file.
2One page per axis
- Duration — The duration column holds seconds read from a named page plus the side that published them, which is why two figures in it rarely answer one question.
- Aspect ratio — Placements name shapes strictly, pricing pages leave them blank, documentation lists seven.
- Resolution — Fourteen of 15 generators state a resolution, because a tier is billed or a card reports it.
- File — A surface states a size cap, a bitrate floor and a container list.
- Frame rate — Three entries publish a frame rate and neither ad surface mentions one, which makes this the emptiest column on these sheets and the widest spread in it.
An axis earns a page when both sides of the match have something to say about it, or when the silence of one side is itself the finding. File is on this list for the second reason.
Elsewhere in the kit: Placements, Tools, Pairs, Questions, Terms, Learn, Data. How a spec gets onto a sheet is set out on the method page.
3Making the ad itself
For ad work around “Axes”, SceneMixer's pages explain how its ad projects are produced:
The shot seconds in the storyboard add up to the segment length, so editing them changes it.
SceneMixer, Fixing One Shot Without Redoing Everything — “Can I change the duration of a segment?” (read 2026-10-13)
16:9 landscape (SceneMixer's default) and 9:16 vertical (the usual short-drama frame), chosen per project.
SceneMixer, Seedance 2.0 in a Real Short-Drama Pipeline — “Which aspect ratios does the pipeline generate?” (read 2026-10-13)