CampaignReel

Ad placement specs against what generators output

Why a tier name is not a standard figure

A resolution tier is a product name that happens to look like a number. Two vendors publishing the same name are making the same marketing claim and not necessarily delivering the same pixels, shape handling or encode. As of 2026-09-12.

What a tier name does not fixA name roughly bounds one dimension. Width follows from the shape, and bitrate, codec and colour handling are almost never published at all.What a buyer assumes a tier name settlesApproximate heightRoughly fixed by the name, and only roughlyWidthFollows from the shape, which is often a separate fieldEncode and bitrateAlmost never published, and it decides how a re-encode survivesComparabilityOnly by measuring a delivered fileWhere each is really settled
Fig. 1 Inside one page a ladder of names works perfectly; across pages nothing guarantees the steps line up.
What a tier name does and does not fix. Recorded 2026-09-12.
PropertyFixed by the nameWhere it is actually settled
Approximate pixel heightRoughlyOnly where a page prints the pair
Pixel widthNoBy the shape, which may be a separate field
Encode and bitrateNoUsually unpublished
Comparability across vendorsNoBy measuring a delivered file

Inclusion rule. Properties commonly assumed to follow from a resolution tier name. Assumptions are listed as assumptions rather than as vendor statements. Order. The property the name comes closest to fixing first.

1A name is enough for a ladder and not for a check

Inside one page a ladder of names works perfectly: it tells a buyer which step is cheaper and which is better. Across pages it stops working, because nothing guarantees the steps line up.

Where a placement publishes a pixel minimum, the check has to go through the name and an assumption. Most of the time that guess holds, and it stays a guess, so a register owes the reader a note of which kind each figure is.

2The width is the part a name never carries

A vertical 1080p frame and a widescreen one share a number and differ by a factor of three in area. Where shape is a separate field, the tier name only bounds one dimension and the other follows from a choice made elsewhere.

That is why a page publishing pixel pairs is easier to check even when its figures are lower. A pair answers both dimensions at once and needs no second cell to be interpretable.

3Encode settings are almost never published

Bitrate, codec and colour handling decide how a file survives a platform's own re-encode, and almost no specification page in this genre states any of them. A tier name implies nothing about them.

So the only reliable statement about a delivered file is made by measuring it. A register records what pages claim; a delivery checklist records what arrived, and both are needed.

A craft note, not a spec. Nothing here is taken from a platform or a vendor, and nothing here should be quoted as a requirement. The sourced material is on published limits. Related: Sound with the picture, A fixed format.

4From brief to placement

For ad work around “Tier names”, SceneMixer's pages explain how its ad projects are produced:

The layout follows the project's aspect ratio, which is set when the project starts.

SceneMixer, How the Episode Editor Lays Out Vertical (9:16) and Landscape (16:9) Projects — “Can I switch between the two layouts?” (read 2026-10-13)

Every character, scene and prop card can carry a short list of the other names your script uses for the same thing.

SceneMixer, Also Called: Nicknames, Old Names, and How the Storyboard Knows Who Is Who (read 2026-10-13)