Two published routes past a clip ceiling
Most rows in this column stop at a clip ceiling and leave what happens next to whoever edits the pieces. These two name the next step and price it: one as a distinct generation mode reaching twenty to twenty-five seconds, the other as segments composited at one credit per second of output. As of 2026-09-12.
| What the pages state | Pika | SceneMixer |
|---|---|---|
| Ordinary ceiling | 10 seconds, a priced step | 30 seconds on the Wan 3.0 and Seedance 2.5 tiers |
| The route beyond it | Pikaframes, 20 to 25 seconds | Segments composited into an episode |
| How the route is charged | Its own row on the rate card | 1 credit per second of output |
Inclusion rule. Length figures and the published route past them, taken from each vendor's own page. Nothing is recorded about how the resulting joins look. Order. The ordinary ceiling first, then the route past it.
1A named step moves the work inside the product
Where the route past a ceiling is undocumented, a longer piece is an edit: several requests, several seams, and a separate tool to join them. Where it is documented and priced, the joining is part of what was bought.
That is a scheduling fact rather than a quality one. Neither page says whether a face or a key light survives the join, and no page in this register does, so the register stops at recording who owns the step.
2The two routes are shaped differently
One is a distinct generation mode with its own ceiling: twenty to twenty-five seconds, bought as a unit. The other is an assembly of segments charged by the second of finished output, so it scales past any single figure.
Against the thirty second Masthead window and the thirty second paid-view mark, the second route reaches them as one continuous piece on its longer tier and the first comes close without arriving.
3What each ordinary ceiling costs before the route matters
Ten seconds against thirty is three to one, so a minute is six or more pieces on one row and two on the other before either route is used. The route only changes who joins them, not how many there are.
Both pages also price resolution, which makes them two of the few in this register where a whole variant set can be costed from a single page. Neither publishes a frame rate and only one publishes a shape.
4The rest of the column behind these two
| Generator | Duration |
|---|---|
| Amazon Nova Reel | 6 s increments, up to two minutes |
| CogVideoX | 6 s, at 49 frames |
| Google Veo | 4, 6 or 8 s |
| Grok Imagine | 1 to 15 s |
| Hedra | 10 minutes |
| HeyGen | 30 minutes per scene |
| Kling AI | Not stated |
| LTX-Video | Frames, never seconds |
| MiniMax | 4 to 15 s |
| Pika | 5 s and 10 s, 20-25 s on Pikaframes |
| PixVerse | 1 to 15 s on version 6 |
| Runway | 5 to 15 s on Gen-4.5 |
| SceneMixer | Thirty seconds on the Wan tiers, fifteen on H3 |
| Vidu | Not stated |
| Wan 3.0 | 2 to 30 s |
Inclusion rule. Every generator this register carries, on the one column this pair disagrees about. Rows that state nothing keep their place and are marked hollow. Order. Alphabetical by generator name.
Why these two. Thirteen rows in this register stop at a clip ceiling. These two publish what comes next and attach a price to it, which changes who owns the joining work and puts it on the invoice rather than in a schedule.
- Durations5 and 10 seconds for text-to-video and image-to-video, and up to 20 to 25 seconds on Pikaframespriced per step
- Beyond the clip limitEpisodes are composited from segments, billed at 1 credit per second of outputhow length is reached
5Sources
Read from the Pika pricing page and the SceneMixer price list, both checked 2026-09-12. The column is described on duration, and each entry has its own cell page at Pika and SceneMixer, and the rule that keeps surfaces and generators apart is on method. Nearby pairs: MiniMax H3 and H3-Max, Runway and SceneMixer.