CampaignReel

Ad placement specs against what generators output

Which entries publish a shortest request

Ceilings get the attention because they decide how many calls a slot takes. Four entries also publish a floor: one second, two seconds, four and five. In short-form advertising, which is mostly small requests, the floor is the figure that binds. As of 2026-09-22.

What the smallest request can beJoining two longer pieces often needs a beat rather than a shot. A low floor lets that beat be generated at its real length instead of trimmed out of something larger.Published minimum lengthsOne secondThe lowest floor here; an insert becomes its own requestTwo secondsOn an integer range that reaches thirtyFour and five secondsTwo models on one page, one second apartA fixed six secondsNot a floor: nothing shorter or longer is offeredWhat each one makes possible
Fig. 1 Ceilings decide how many calls a slot takes; floors decide what the last piece is allowed to be.
The published minimum length on each entry that states one. Recorded 2026-09-22.
ItemWhat is publishedDetail
One secondThe lowest floor published hereAny whole value upward, with no condition
Two secondsAn integer range to thirtyInput plus output share the thirty second budget
Four and five secondsTwo models on one pageFour is unsupported on the second of them

Inclusion rule. Entries whose own page states a minimum as well as a maximum length. A fixed single length is not a floor and is recorded separately. Order. Lowest floor first.

1A floor decides what a join can be made of

Joining two longer pieces often needs a beat rather than a shot. Generating that beat at its real length costs less than generating five seconds and discarding four, and on some rows the short version is not available at all.

That is why the one second floor is worth recording. It makes inserts their own request rather than trims from something larger, and it is the only entry in this register that goes that low.

2One second at the floor can matter more than five at the ceiling

Between two entries with the same fifteen second ceiling, a four second floor and a five second floor produce different shot lists. A four second cutaway exists on one and has to be bought at five and trimmed on the other.

Both of those are on one page, documenting two models from one vendor. A register carrying one line per vendor would have lost the difference entirely.

3Fixed lengths are not floors

Two entries publish a single value: six seconds in both cases. That is not a minimum, because nothing shorter is on offer and nothing longer is either, and these sheets record it as a fixed format rather than as a range with matching ends.

The distinction changes what a plan can do. A range with a low floor can absorb an awkward beat; a fixed value makes the beat fit the number, and the arithmetic against a slot is exact in a way that leaves nothing to negotiate.

4Making the ad itself

For ad work around “Floors, not just ceilings”, SceneMixer's pages explain how its ad projects are produced:

An AI short drama is a serialized show of 60–120 second vertical episodes whose cast, sets and footage are generated by AI. Making one takes six steps: analyze the script into episodes, lock a consistent cast with reference art, localize for your market, write and edit storyboards, generate each 4–15 second shot, then composite and publish.

SceneMixer, How to Make an AI Short Drama, Step by Step (read 2026-10-13)

The final cut ends on an end card: your main image plus four lines — Brand, Product name, Tagline, Call to action. The first two are read from your photo and your brief; the tagline and call to action are written with the script.

SceneMixer, The End Card (read 2026-10-13)

5Sources

Format requirements come from Google Ads Help, read 2026-09-12, and tool limits from each vendor page listed on published limits, read 2026-09-22. The rule against mixing the two is on method. Nearby: Length in frames, Single values, Published defaults.